I chose the motif of: evasiveness. I feel that the characters are voluntarily shut off from each other and their own obstacles. This can be seen in comedic moments: when we learn about Micha's death and at the end of a dark, shadowy speech, Vera says she couldnt hear Leo the whole time. It can also be seen in Leo's outlook on his relationship, refusing to see the potential harm he caused his adoptive sister.
It is apparent that the characters are intentionally avoiding things they don't want to deal with as a defense mechanism. This is an interesting concept to think of from an acting perspective as being evasive is a difficult thing to "act" (humor me, you know how we actors like tho think of plays). So I think the answers to the true depth of the characters is in why they are dodging subjects, and what they are rewarded from this. Which may be another motif entirely, but I can't think of a good one under said premise. Any thoughts?
I think that is an interesting way to look at this play. Because they ignore the issues they just create more issues. I think Leo running away is the ultimate form evasiveness. He literally ran from his problems and yet still couldn't completely escape them because when he gets to NY he is confronted with issues dealing with his ex-girlfriend.
ReplyDeleteI agree, this is a very interesting way to look at this play. Dr. Fletcher had mentioned a motif of missed connections but I like that you phrased it as voluntary. It does seem that they ignore the main issues they are dealing with and block each other if one tries to make the other face something real. I had not considered this point at all, very insightful.
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